Fugue

Baroque works

Definition

A contrapuntal composition in which a short melody (the subject) is introduced by one voice and successively taken up by others, developed through imitation, and interwoven throughout the piece according to strict contrapuntal rules.

Historical Context

The fugue reached its apex in the Baroque period, most fully in the work of J.S. Bach. The form demands the simultaneous independence of multiple voices, each carrying the subject or its answer while the others continue with countersubject material. Post-Bach, the fugue was employed as a learned device by Beethoven (Op. 106, Op. 131) and later by Shostakovich in his 24 Preludes and Fugues.

Works (30)

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