Prelude No. 21, Op. 37

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Musical Terms (4)

• giovane classicità Italian
  Young Classicism (Italian form of Busoni's Junge Klassizität): the aesthetic of restraint, clarity, and formal mastery that Busoni advocated in his later years, visible in the sonatinas and the Toccata.
  Resist adding dynamics or agogic stress that are not indicated. Trust the notes themselves. The power of the late Busoni comes from precision and inevitability, not from added expression.
• Junge Klassizität German
  Young Classicism: Busoni's aesthetic concept, articulated around 1920, calling for a music that rejects Romantic sentimentality and returns to clarity, economy, and objectivity — not by imitating the past, but by mastering and transcending it. The concept shaped his late piano works.
  Approach the late Busoni sonatinas and the Toccata with transparency and precision rather than Romantic warmth. The affect should feel inevitable and clear, not personal or expressive in a Romantic sense. Ornament lightly; let the architecture speak.
• trascrizione Italian
  Transcription: in Busoni's philosophy, not merely an act of copying but a creative reinterpretation of another work for a new medium. Busoni argued that all performance and notation is transcription, and that the act of transcribing is a form of composition.
  When performing Busoni's transcriptions of Bach, understand that the piano writing is not an approximation of the organ: it is a new work that uses the original as its material. Embrace the pianistic idiom fully.
• trasparenza Italian
  Transparency: a quality of texture in which individual voices remain clearly audible within a complex polyphonic context. Essential to Busoni's piano ideal and central to his Klavierübung exercises.
  Cultivate independent voicing even in dense textures. Each melodic line should be traceable by ear. Avoid blurring with excessive pedal.