Preludes, Book II: No. 1 — Brouillards

by Claude Debussy

Impressionist Prelude Advanced
Key C major / bitonal
Tempo Moderement anime
Composed 1911–1913
Published 1913
Duration 3 min

Instrumentation

Piano

Collections

Musical Terms (8)

  • avec une grande variete de nuances French
    With great variety of nuance — a call for rich, continuous dynamic shaping within a phrase.
    Debussy expected micro-dynamic variation — not broad fortes and pianos but constant subtle modulation of the sound within a narrow dynamic range.
  • Cédez French
    Gently relax the forward motion.
    Slight easing of tension\r\nA softening of rhythmic insistence\r\nThe phrase loosens its grip
  • comme une lointaine sonnerie de cors French
    Like a distant horn call — evoking the resonance of horns heard from far away.
    The sound must travel; use a subtle halo of pedal resonance and play the passage with a slight hollowness in the tone, as if heard through air rather than directly.
  • dans un brouillard French
    In a mist — a veiled, hazy sonic atmosphere.
    Achieved through careful pedal management, soft touch, and blended harmonies. The notes should seem to exist within the sound rather than on top of it.
  • doux et fluide French
    Sweet and fluid — one of Debussy's characteristic expression marks indicating a smooth, dissolved quality of tone.
    Requires light touch, deep pedaling, and careful blending of harmonics. The sound should feel liquid rather than struck. Common in his piano preludes and études.
  • mysterieux French
    Mysterious — hushed and enigmatic.
    Debussy's mysterious passages require a specific kind of quiet: not absence of sound but sound that conceals. Play as if you are not fully sure what you are revealing.
  • quasi guitare French
    Like a guitar — dry, plucked, somewhat hollow in tone.
    Used in specific pieces to imitate the dry attack of a plucked guitar string. Release the pedal and use a light, detached touch with the fingers.
  • rubato French
    In Debussy, rubato implies subtle, fine-grained flexibility — a gentle breath of the phrase, not sweeping Romantic displacement.
    Unlike the broad rubato of Chopin or Liszt, Debussy's rubato is almost imperceptible — a microsecond of weight on a particular note, a barely noticeable softening of the pulse.

Practice Preludes, Book II: No. 1 — Brouillards

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